alex font has many strings to his bow, not least running the excellent acme label, and here he is on one of his other ventures, third stream. with improvisation placed at the forefront of the creative process, font turns out functional club tracks with curious kinks and moments of intrigue worked into the structure. onda tropical is definitely dj friendly with its insistent percussive framework, but there are interesting diversions, fills and edits peppered throughout. musica moderna (cds tribute) meanwhile rolls on a more consistent groove, with a more organic set of drums pitched right at the heart of a long and winding dj set
alex the fairy returns to finders fee with rusty blade tears, the second record of three. the first track, a 4/4 kick blindly barging through an arcade is followed by a bathtub riding down the motorway in a dali-esque landscape. on the b-side, an angry cordless phone precedes some rusty ice cubes in arctic water. finders fee is a label for found sounds, found melodies and found rhythms.
4 house disco bombs ! already supported by: the black madonna, laurent garnier, dan shake, patrick topping, kettama, luke solomon, monki, cinthie, tiga, gene ferris, honey soundsystem, big miz, hot sine 82, claptone
lapsus records proudly presents the first solo material from scottish artist brick reds, black mauves, and is due for release at the end of april. behind the brick reds, black mauves pseudonym is producer alex ander, better known as part of the renowned duo, dalhous, one of most interesting projects to emerge from london label blackest ever black
PHANTOM POWER EP FEAT. VOIGTMANN REMIX (RECORD STORE DAY 2019)
12 Inch 13.04.19
leftroom continue their rejuvenated, rich vein of subversive form with this dynamite 12inch from a man who needs no introduction whatsoever: alex arnout.
repress 2019 - all that jelly and no toast - like when you find a bomb tune that s unavailable on 12-. the new sublabel of smile for a while is exactly about this. clubby house music by well-established producers as well as from lesser-known guys. french guy alex agore opens the ep with the lowtone remix of -what did i do- - cut-up garage house to the maxx. max chapman from london delivers another belter, a bassline-driven organ house tune with a minimalistic but very effective set-up. oleg poliakov - aka skat and one of the guys behind circus company - comes up with a sublime but powerful tech house tune, in the original sense of the genre name. -jazzve- is a tune by russian producer mutenoise. it s maybe the most original, innovative tune on this ep. full of surprises and cutting-edge elements - hard to compare to anything else around these days.
als alex christensen im oktober 2017 sein ambitioniertes projekt »classical 90s dance« veröffentlichte, war ihm die neugierde von kollegen, fans und medien gewiss. als wichtigster deutscher impulsgeber der techno-, dance- und eurodance-bewegung, erarbeitete er sich zunächst als dj und komponist, schnell aber auch als producer weltruhm. plötzlich sollte der mann, der seit anfang der 90er-jahre vorzugsweise im hintergrund die musikalischen strippen für über 40 millionen verkaufter tonträger zog, erklären, was es mit »classical 90s dance« auf sich hatte. »classical 90s dance 2« ist nun die konsequente fortsetzung und der vorläufige höhepunkt seiner bald vier jahrzehnte andauernden musikreise.
bass great marcus miller brings the influence of modern urban music to his trademark sound on his highly-anticipated, genre-defying new album laid black, which will be released on blue note records.
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